My Monday morning writing club has an ongoing argument about the importance of a quick start to a novel: diving right in versus a slower reveal. The rulemeisters say it’s all got to be there on the first page: meet the hero, introduce the conflict, set the tone and genre. The first page makes a promise to the reader that must be fulfilled. “But I’m not writing a thriller,” one of the clubbers says, or “Surely that’s for genre fiction, not literary.”
I, for a change, agree with the finger waggers on this one. I finally took my own advice and pulled some books I’ve read—so I know the story—and reread the first few pages. I am blown away with what I see this time around. Here’s my short stack: (more…)
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The Girl with the Dragon Tattoo










